I don't think I'd buy a movie on DVD simply because an artist I like drew the art on the packaging. There are plenty of DVD's and VHS tapes that have (and will) show up on this blog because I wanted the movie anyway, usually because the package artist played some part in creating the source material for the movie's subject (as with the Charles Burns costumes and set designs for "The Hard Nut" ) or was simply a good match for the art director and happened to be a comics artist. It's more rare that the artists themselves are the subject of the movie. I did have one such documentary early on, Comic Book Confidential . They're the sorts of things that I would naturally be attracted to, given my hobby. Here's a more recent one, from 2014:
The credits list 59 persons interviewed on camera and a further 18 whose interviews were to be made available online. Most of those persons were creators of syndicated newspaper comic strips, past and present, including the elusive Bill Watterson, who did the art for the front cover of the DVD box, seen above. The disc was available through the mail or by streaming at the website named on the back, StrippedFilm.com. You could very likely get it new or used, through any number of online sites you're more familiar with. I got mine by pre-ordering it through my preferred comics shop.
After the film hit art house theaters in February of 2014, Watterson became more active than he had been in the nearly 20 years since ending "Calvin And Hobbes". He did a guest week pencilling "Pearls Before Swine" and became the subject of an exhibit at Ohio State University. The exhibit can be revisited through its catalogue, "Exploring Calvin And Hobbes". That year he was also awarded the Grand Prix at the Angoulême International Comics Festival, which ordinarily goes to European artists.
Extras include an optional directors' commentary track (there's two directors, so that apostrophe is right where it's supposed to be), a theatrical trailer and an 86-minute interview with Jim Davis which technically doubles the length of the film. Slightly more so if you consider than a good chunk of the 12 minutes of closing credits includes listing every individual contributor to the crowd-funding for the project, hundreds of them.
[Spoilers appear below the disc image.]
You can fast forward through the contributors if you want, but don't skip the credits completely or you'll miss the surprise Kate Micucci music video that's incorporated into them. Why that isn't mentioned anywhere on the outside of the box is a mystery. There's also no booklet, but that would be a disincentive to those streaming the movie. And besides, anyone would expect the booklet to include work by any of the dozens of creators who appear in the film. They can't all fit into a little insert and I'm sure the producers knew that they'd catch hell over whoever got left out by fans devoted enough to comic strips to buy a documentary about them.
After the film hit art house theaters in February of 2014, Watterson became more active than he had been in the nearly 20 years since ending "Calvin And Hobbes". He did a guest week pencilling "Pearls Before Swine" and became the subject of an exhibit at Ohio State University. The exhibit can be revisited through its catalogue, "Exploring Calvin And Hobbes". That year he was also awarded the Grand Prix at the Angoulême International Comics Festival, which ordinarily goes to European artists.
Extras include an optional directors' commentary track (there's two directors, so that apostrophe is right where it's supposed to be), a theatrical trailer and an 86-minute interview with Jim Davis which technically doubles the length of the film. Slightly more so if you consider than a good chunk of the 12 minutes of closing credits includes listing every individual contributor to the crowd-funding for the project, hundreds of them.
[Spoilers appear below the disc image.]
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